Far From The Madding Crowd :: essays research papers fc

Far From the Madding CrowdWhether you are of the opinion that love is a wonderful thing, love knows no boundaries, or love is blind, one fact remains constant love is same a snowflakeno two loves or snowflakes are always exactly alike. In Thomas fearlesss Far From the Madding Crowd, the heroine, Bathsheba Everdene, has the passel (or unfortunate mishap) of courting not one, or even two, but 3 suitors during the course of the novel. Although Bathsheba Everdene could be considered to be in quite an enviable mystify by many women, both yesterday and presently, she doesnt always come out to enjoy being courted by her numerous suitors. Most importantly, though, Bathshebas record grows and evolves because of, or in spite of, the situations she encounters and eventually overcomes throughout her romantic escapades.Initially, Bathshebas character is high-spirited, feminine, nave and self-centered. This is the first impression she gives Gabriel Oak, who eventually becomes a suitor, wh en she encounters him at the beginning of the story. The first time Gabriel lays eyes on Bathsheba, she is gazing admiringly at her own reflection in her pocket mirror. Gabriel realizes immediately that her greatest rupture is what it is always . . . vanity (p. 56).Gabriel, although impressed by Bathshebas beauty and vivacity, does not immediately begin to court her. He is quite smitten with her from the genuinely beginning of their blood. Gabriel even goes so far as to repeat her call off over and over and is quoted as saying Ill make her my wife, or upon my soul I shall be good for nothing (p. 74.). He proposes unification to her, but she admits that she does not love Gabriel and, if they tried to make a relationship work without love, he would grow to despise her. Being the amiable workfellow that he proves himself to be throughout the story, Gabriel is quite firm when he tells Bathsheba, very(prenominal) well . . . then Ill ask you no more (p. 82).Although Hardy might wis h his readers to believe that this episode is the end of any toy between Bathsheba and Gabriel, we realize that there is a grain of truth to the musical phrase save the best for last. Meanwhile, Bathsheba moves on with her new life as schoolmistress of the farm that her recently deceased uncle has left for her. She agrees to hire Gabriel as a shepherd, so he stays in the picture throughout the sell of the story and witnesses her romance with Mr.