Hollowness in Emily Dickinson’s Poetic Discourse Essay example -- Biog

faithlessness in Emily Dickinsons Poetic Discourse Much has been said nigh Emily Dickinsons mystifying poetry and private deportment, especi wholey during the years 1860-63. allegedly it was during these years that the poetess, at the most prolific phase of her career, withdrew from society, began to wear her distinctive white dress and suffered a series of psychotic episodes. Dickinson tended to theatricalize herself by address through a host of personae in her poems and by fictionalizing her inner life as a gothic romance (Gilbert 584). Believing that a poem is the best words in the best order (to quote S.T. Coleridge) and that all the poems stemming from a single consciousness bring to surface different aspects / manifestations of the homogeneous personal mythology, I will firstly disregard biographical expand in my interpretation of Dickinsons poems 378, 341 and 280 and secondly place them in a sort of continuum (starting with 378 and ending with 280) to show how they attempt to describe a pluck into the Unconscious and a lapse into madness (I refrain from using the limit journey, for it implies a telos, a goal which, whether unattainable or not, is something non-existent in the poems in question). Faced with the problem of articulating and concretizing inner psychological states, Dickinson created a totally peeled poetic discourse which lacks a transcendental signified and thus squirt dramatize the three stages of a (narrated) mental collapse existential despair, insularism from the origination of the senses and death of consciousness. In poem 378 the reader is introduced to the mental world of a speaker whose relentless questioning of metaphysical truths has led her to a state of complete faithlessness l... ...sons Poetry Stairway of Surprise. in the buff York Holt, 1960.Eberwein, Jane Donahue. Dickinson Strategies of Limitation. Amherst U of Massachusetts P, 1985.Feit Diehl, Joanne. Ransom in a Voice dustup as Defense in Dickinso ns Poetry. womens liberationist Critics Read Emily Dickinson. Ed. Suzanne Juhasz. Bloomington indium UP, 1983. 156-75. Gilbert, Sandra M., and Susan Gubar. The Madwoman in the Attic The Woman Writer and the 19th Century literary Imagination. New Haven Yale UP, 1979. Homans, Margaret. Oh, Vision of Language Dickinsons Poems of Love and Death. Feminist Critics Read Emily Dickinson. Ed. Suzanne Juhasz. Bloomington Indiana UP, 1983. 114-33. Miller, Cristanne. How Low Feet Stagger Disruptions of Language in Dickinsons Poetry. Feminist Critics Read Emily Dickinson. Ed. Suzanne Juhasz. Bloomington Indiana UP, 1983. 134-55.